My9s

Announcing the NINES Fellows, 2012-2013

NINES is thrilled to announce the winners of the NINES Graduate Fellowship for the academic year of 2012-2013. From software development to outreach, it promises to be an exciting year!

Elizabeth Fox is a doctoral candidate in the UVa English Department.  She will work as coordinator for NINES’ collaborative work on the Shelley-Godwin Archive, a project hosted at the University of Maryland.

Emma Schlosser is a second year master’s student in the UVa English Department.  Her interests include eighteenth and nineteenth-century British poetry, literary reception, and European history.

Sarah Storti is a doctoral candidate in English, specializing in 19th-century British literature, textual studies, and book history. She held a NINES fellowship from 2010-2011 and a UVa Scholars’ Lab Praxis Program fellowship from 2011-2012. (Follow her on Twitter at @sarahannestorti.)

Image of the Week: The Upper Wards of Windsor Castle

This aquatint of Windsor Castle, in the English county of Berkshire, was created by Charles Wild and engraved by Thomas Sutherland in 1819 for an illustrated history of royal residences by W.H. Pyne. It shows the nineteenth-century upper wards of of the palace, flanking the older, medieval round tower of the original Normal castle.

After its renovations in 1820 by George IV, Queen Victoria and Prince Albert made Windsor Castle their primary royal residence. Other depictions of Windsor and its grounds can be browsed by this saved search in NINES, including a touching portrait of young Victoria and Albert by Edwin Landseer.

 

 

Image of the Week: Front Cover, The Yellow Book, April 1895

Our featured image this week comes from our newest peer-reviewed project, The Yellow Nineties Online (Denisoff and Kooistra, eds.). Artist Patten Wilson was responsible for the cover of The Yellow Book in April 1895, depicting a young woman reading on a stylized, flattened couch, with her dog reclining in the foreground.

Click here to view more items like this one.

 

New peer-reviewed resource: The Yellow Nineties Online

Congratulations to Dennis Denisoff, Lorraine Janzen Kooistra and the whole team at The Yellow Nineties Online, the newest peer-reviewed resource in NINES!

This project, which brings in more than 400 new objects, is dedicated to the study of The Yellow Book and other aesthetic periodicals that flourished in Great Britain in the 1890s. Visit the site to learn more, or peruse the results in NINES via this saved search.

Image of the Week: Women Bowling

This week’s image from George Eastman House on Flickr Commons is a photo by American photographer William M. Vander Weyde (c. 1900). By the middle of the nineteenth century, ten-pin bowling had become a popular past-time thanks to the introduction of indoor lanes. Women, like the two depicted above, also enjoyed playing and even organized their own tournaments in the first years of the twentieth century.

New peer-reviewed resource: The Correspondence of James McNeill Whistler

NINES welcomes our newest peer-reviewed resource, The Correspondence of James McNeill Whistler, edited by Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp. Originally a project of the Centre for Whistler Studies, the project is now supported by University of Glasgow.

This online edition includes the Letters of James McNeill Whistler from 1855-1903,  as well as those of Anna McNeill Whistler from 1829-1881 (edited by Georgia Toutziari). In all, 10,000 new full-text objects have been added to NINES.

Congratulations to the whole team on this wonderful resource! You can browse the new objects via this saved search.

Image of the Week: Joseph Pulitzer

NINES wishes a belated happy birthday to Joseph Pulitzer (April 10, 1847 – October 29, 1911), creator of the Pulitzer Prize, depicted here in his role as editor of The New York World. [via NYPL.]

 

On the Juxta Beta release, and taking collation online

**cross-posted at the Juxta blog **

In September of 2008, when I first became acquainted with Juxta as a collation tool, I wrote a blog post as a basic demonstration of the software. I hunted down transcriptions of two versions of one of my favorite poems, Tennyson’s “The Lady of Shalott,” and collated them alongside the abbreviated lyrics to the song adapted from work by Loreena McKennitt. Screenshots were all I had to illustrate the process and its results, however – anyone interested in exploring the dynamic collation in full would need to first download Juxta, then get the set of files from me. We had a great tool that encouraged discovery and scholarly play, but it didn’t facilitate collaboration and communication. Now, in 2012, I can finally show you that set in its entirety.

The dream of Juxta for the web has been a long time coming, and we couldn’t have done it without generous funding from the Google Digital Humanities Award and support from European scholars in the COST Action 32 group, TextGrid and the whole team behind CollateX. As Project Manager, I’m thrilled to be a part of the open beta release of the Juxta web service, accessed through version 1.6.5 of the desktop application.

I imagine at this point you’re wondering:  if I want to try out the web service, do I still have to download the desktop application? Why would I do that?

Over the past year, our development team’s efforts have been directed to breaking down the methods by which Juxta handles texts into ‘microservices’ following the Gothenberg Model for collation. We designed the web service to enable other tools and methods to make use of its output: in Bamboo CorporaSpace, for example, a text-mining  algorithm could benefit from the tokenization performed by Juxta. We imagined Juxta not just as a standalone tool, but as one that could interact with a suite of other potential tools.

That part of our development is ready for testing, and the API documentation is available at GitHub.

However, the user workflow for Juxta as a destination site for collations on the web, is still being implemented. Hence this new, hybrid beta, which leverages the desktop application’s interface for adding, subtracting and editing documents while also inviting users to share their curated comparison sets online.

This is where you come in, beta testers – we need you to tell us more about how you’d like to user Juxta online. We know that collation isn’t just for scholarly documents: we’ve seen how visualizing versions of Wikipedia pages can tell us something about evolving conversations in Digital Humanities, and we’ve thought about Juxta’s potential as a method for authenticating online texts. But as we design a fully online environment for Juxta, we want to get a better sense of what the larger community wants.

I want to thank everyone who has set up and account and tried out the  newest version. We’ve seen some really exciting possibilities, and we’re taking in a lot of valuable feedback. If you’ve held off so far, I ask that you consider trying it out.

But I don’t have any texts to collate!

No worries – we’re slowly populating a Collation Gallery of comparison sets shared by other beta testers. You might just find something there that gets your creative juices flowing.

Explore Juxta Beta today!

Newly peer-reviewed and updated: The Swinburne Project

Congratulations are in order for editor John Walsh and the team at The Algernon Charles Swinburne Project at Indiana University. Although a preliminary phase of the site had already been aggregated by NINES, a new review was scheduled after the scope of the project had expanded in the past few years. We’re happy to announce that the most recent evaluation was successful, and the Swinburne Project has been updated in NINES, adding over 300 more full-text objects!

Interested? Click here to browse The Swinburne Project in NINES.