Jones English 227
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Jonathan Edwards is a man who moved the masses and changed a country, and yet in many ways was a failure, and in modern times is misunderstood. His own church did not receive his message with the enthusiasm that others would and latter the church would boot him for his hard line stances. Today many elementary schools bring up children with the understanding that a man named Edwards shouted down with fellow beings with hail fire brimstone sermons as if he enjoyed cutting others down for fun. Many never learn more of the man than to gather a few out of context quotes from one particular work of his (Sinners in the Hands of an Angry God) and use it to define in their own minds who Jonathan Edwards was. Paintings are made of him staring down the viewer with a frosty aloof air. Yet others who have actually spent time getting to know the intricacies of his beautiful thought begin to fathom the love he harbored and care he showed, for those around him, and the Christ he sought to serve. He desperately wanted to see others secure from what he saw as impending destruction, and he spent his life studying feverishly to understand better the character of the one he believed capable of making others so secure. He was a varied man in life having spent a long period with a single church, then moving to the frontier, and latter becoming the president of Princeton University. He is a life well worth getting to know, who was varied and interesting. To label him as no more than a dogmatic bigot, can be considered little less than crime.
This review represents Jonathan Edwards as bearing down on those who would listen with hot breath and damning rhetoric. Edwards is called, "a castigating prophet who tirelessly warns his people about the destructive consequences of moral failure." He is talked of preaching as to God's judgment on the sinful new England. Also Edward's impeachment from Northampton is attributed to his hot headed sermons rather than a difference in his understanding of church ordinance. This account never mentions the reason, or function of such warnings. The warnings come to identify the man despite a whole nother half of his message.
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Looking at this painting the initial reaction might be that the subject is constipated or something along those lines. Edwards is portrayed with an obvious bias (that he scowled and grimaced in the painting carries an idea that he felt mean and grumpy) here in a portrait which is very common of him being reproduced in various ways by differing artists. Notice most intriguingly however the line down his face. His face can be easily divided in half with the one side containing normal almost happy features and the dominate side with a jeering lip and scowling eyebrow. The artist must have viewed Edwards as grumpy but also a side of him was just like all of us are. This fact is seen even in the depictions of those like this painting's artist, that the human element of potential bonding between brethren in innate and irrefutable. It is as it were a concession and statement in two directions. A conflict of nature, caught in paint. |
In this text it is reiterated that Jonathan Edwards is considered a hell fire damnation preacher. The emphasis is on the sermon at Enfield, Sinners in the Hands of an Angry God. It gives a history of how his reputation really got its start. He even says that some critics have gone so far as to call him mentally disturbed. However there is also brought forth what the author considers a forgotten concept that Edwards was, "far more compassionate and humane than most critics have recognized." In fact this piece almost verbatim supports the elements of my thesis. It speaks of his noted skill in oratory and speech writing. He also makes the point that many analogies are taken directly opposite of their actually intent. For instance when he speaks of man weighed downwards inclined towards hell, is he not speaking of God's grace that He holds such men undeservedly from their destruction and in so doing is making a plea that those at Enfield recognize this grace and that their time in such state is uncertain and go to their Lord for His mercy. For Edwards to simply make the point of man's sin with such analogies might frighten a few but over all falls short of what educated preachers were taught to do in a sermon; to challenge or prompt their audience to action. Fear without direction would have been fruitless. Both sides of his sermon had weight. |
"Images and Shadows of Jonathan Edwards" presents an altered view of the man. This text looks at Edwards as a transition piece in the History of American Theological development. He still believed in solid exegesis and yet veered into topical and emotional appeals allowing for liberal alterations on past traditions. Also it demonstrates the philosophy and mental complexity of Edwards. There are comprehensive examples of how Edwards and his congregation were paving a new road of thought and tradition for the contemporary Puritan Church. The passage also indicates, backed by the words of Edwards himself, that he had a genuine concern for the prosperity of America itself as a people. Much of his views on the "end times" were tied to the United States, such as they would become. This just goes to show that he had vested interest in those he spoke to, and had a firm belief backing the sermons he delivered. |
Here is a painting hard to get wrong. It is a portrait that is similar to almost every other portrait possible to find of Edwards. He always is wearing his distinctive straight collar called a Falling collar or falling band which was part of the Anglican clerical clothing into the 19th century*. He is also sporting a warm and pleasant face here and my point with that information is simple. If there was not somewhere evidence and a belief that at least occasionally he was able to be pleasant, then no such representation would have been made. He is still professional and posed the same, but someone figured "hey he probably had fun once in a while too"
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Jackson Boyett, who monologues about, and then delivers,
"Sinners in the Hands of and Angry God" is correct in saying that the
message is |